Home

investering breedtegraad Fascinerend 1917 film camera Idool vaak Voorzichtig

'1917': Inside the making of a one-shot masterpiece | CNN
'1917': Inside the making of a one-shot masterpiece | CNN

1917': Inside the making of a one-shot masterpiece | CNN
1917': Inside the making of a one-shot masterpiece | CNN

The immersive camera movement of “1917” | ARRI News
The immersive camera movement of “1917” | ARRI News

1917 film review: War has never been captured so incredibly | Ars Technica
1917 film review: War has never been captured so incredibly | Ars Technica

1917: The First Film That Was Shot on the ARRI ALEXA Mini LF - YMCinema - News & Insights on Digital Cinema
1917: The First Film That Was Shot on the ARRI ALEXA Mini LF - YMCinema - News & Insights on Digital Cinema

Why '1917' Had to Be One Shot - YouTube
Why '1917' Had to Be One Shot - YouTube

How Roger Deakins Used the Arri ALEXA Mini LF Camera to Make '1917'
How Roger Deakins Used the Arri ALEXA Mini LF Camera to Make '1917'

Inside the Look of 1917 by DP Roger Deakins | CineD
Inside the Look of 1917 by DP Roger Deakins | CineD

CVP.com - Camera movement of 1917 - Creating the look of the one-shot - ACO and CVP presents an in-depth exploration into the camera movement of 1917, with Peter Cavaciuti and Charlie Rizek.
CVP.com - Camera movement of 1917 - Creating the look of the one-shot - ACO and CVP presents an in-depth exploration into the camera movement of 1917, with Peter Cavaciuti and Charlie Rizek.

A Closer Look at Stabileye, One of the Stabilizers Roger Deakins Used on ' 1917'
A Closer Look at Stabileye, One of the Stabilizers Roger Deakins Used on ' 1917'

1917 DP Roger Deakins: Camera Stabilization, Movement, and the Trinity | IndieWire
1917 DP Roger Deakins: Camera Stabilization, Movement, and the Trinity | IndieWire

1917' Isn't the First (Supposedly) One-Shot Film. Here's a Timeline. - The New York Times
1917' Isn't the First (Supposedly) One-Shot Film. Here's a Timeline. - The New York Times

1917 DP Roger Deakins: Camera Stabilization, Movement, and the Trinity | IndieWire
1917 DP Roger Deakins: Camera Stabilization, Movement, and the Trinity | IndieWire

How the 1917 single shot worked, according to renowned Roger Deakins - Polygon
How the 1917 single shot worked, according to renowned Roger Deakins - Polygon

Inside the Look of 1917 by DP Roger Deakins | CineD
Inside the Look of 1917 by DP Roger Deakins | CineD

Weekend Box Office: 1917 bests Rise of Skywalker in one continual shot.
Weekend Box Office: 1917 bests Rise of Skywalker in one continual shot.

The Look Of 1917 - Filmmakers Academy
The Look Of 1917 - Filmmakers Academy

1917' and the Challenge of Making a Film Look Like a Single Shot - The New York Times
1917' and the Challenge of Making a Film Look Like a Single Shot - The New York Times

This is a fascinating look at how the incredible cinematography of 1917 was created
This is a fascinating look at how the incredible cinematography of 1917 was created

Movie review: '1917' displays the futility of war in one big shot
Movie review: '1917' displays the futility of war in one big shot

1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”
1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”

1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”
1917 One Shot Explained — How Roger Deakins & Mendes Shot a “Oner”

1917: Why it looks like it was shot in a single, continuous take - Vox
1917: Why it looks like it was shot in a single, continuous take - Vox

1917 (2019) Technical Specifications » ShotOnWhat?
1917 (2019) Technical Specifications » ShotOnWhat?

1917' and the Challenge of Making a Film Look Like a Single Shot - The New York Times
1917' and the Challenge of Making a Film Look Like a Single Shot - The New York Times

How Sam Mendes' '1917' Was Filmed Like Continuous Shot
How Sam Mendes' '1917' Was Filmed Like Continuous Shot